" The book was important to Beauvoir (Sylvie), who was nostalgic for her friendship with Zaza (Andrée) her whole life. It was her relationship with Zaza which made Beauvoir ‘attach so much weight to the perfect union of two human beings’. It was a formative experience for Beauvoir, who considered herself bisexual from an early age, rejecting homosexuality as just ‘as limiting as heterosexuality: the ideal should be to be capable of loving a woman or a man; either, a human being, without feeling fear, restraint, or obligation’. "
" The book was important to Beauvoir (Sylvie), who was nostalgic for her friendship with Zaza (Andrée) her whole life. It was her relationship with Zaza which made Beauvoir ‘attach so much weight to the perfect union of two human beings’. It was a formative experience for Beauvoir, who considered herself bisexual from an early age, rejecting homosexuality as just ‘as limiting as heterosexuality: the ideal should be to be capable of loving a woman or a man; either, a human being, without feeling fear, restraint, or obligation’. "
HISTORY
Just a child during WWI, Sylvie grew up in an environment marked heavily by nationalistic and religious tendencies. At the same time, her own family was split over the issue of belief, since her father was a non-believer, while her mother believed strongly in the doctrines of the Catholic church. She went to school at a convent and was taught by nuns, but would eventually lose her own faith as she grew older and recognised the dilemmas and ethical difficulties of evil and adversity.
It may also have had something to do with her feelings for her best friend, Andrée Gallard.
The two girls had met at school when Sylvie was ten and struck up a slightly formal, but deep-felt friendship that made many of the grown-ups around them both wonder and worry. It was thought that they didn't have a good influence on each other, but for Sylvie, Andrée was all that mattered in the world. Her happiness, her larger than life spirit... These things became the axes of Sylvie's Earth.
Therefore, it was also a great sorrow for her to observe how Andrée's life would evolve into captivity and uncertainty as her mother expected her to follow in her footsteps and marry young, no matter whether she loved the man or not.
At age 15, Sylvie had admitted her feelings for Andrée, who was at the time grieving the loss of her first boyfriend who was leaving France, but the matter would never be touched upon again between them. Instead, as they entered university, Andrée began putting emotional, if not physical distance between them and found other friends, other interests. They were still close, but they both recognised that something had been lost that night in Andrée's family's country house kitchen.
At the same time, Sylvie introduced her friend, Pascal, to Andrée who was immediately attracted to him. Trying, once again, to support Andrée's quest for happiness, she encouraged the relationship and tried helping to convince Andrée's mother of their feelings. But Andrée's mother wanted an assurance of Pascal's intentions and insisted they got engaged, something he was not willing to do.
Miserable and heart-broken, Andrée prepared to be sent to England on an educational trip, but shortly before her leave, she became acutely ill and died. At her funeral, her casket had been smothered in white flowers of purity, the same attitude that had in the end killed her, so Sylvie left three red roses amidst all the white and would mourn the loss of her friend for the rest of her life.
PERSONALITY
Sylvie is very intelligent, at school she was the best in her class, continuously, although Andrée came a close second. She takes an interest in philosophy and is studying this at the Sorbonne. Although she was a firm believer as a child, she has since lost her faith and thinks of herself as a non-believer who ascribes more to logic and sound thinking than to doctrine and miracles. She's straight-forward, though polite, and says things as they are, never allowing anyone to hide too much behind their words. She is not afraid to ask the tough questions.
Although she knows everything about sex on a practical level, Sylvie is somewhat innocent and un-educated about the passion that people share which makes them sleep with each other. Beyond her infatuation with Andrée, she doesn't take any interest in others like that. Sex is more a matter of bodily release and satisfaction than human intimacy to her, though she no doubt longs for such a union with Andrée, too. Deep down. Deep down, but close enough to the surface that the two of them keep a certain distance in their interaction.
Observant, Sylvie has many thoughts on her contemporary society, from religious observance and control to the place of women in 1920's France, to family ties and relations, her own and those of others. She is saddened by the state of things and feels powerless to change much, if anything about it, settling with just trying to support her friends and claim her own space.
Just a child during WWI, Sylvie grew up in an environment marked heavily by nationalistic and religious tendencies. At the same time, her own family was split over the issue of belief, since her father was a non-believer, while her mother believed strongly in the doctrines of the Catholic church. She went to school at a convent and was taught by nuns, but would eventually lose her own faith as she grew older and recognised the dilemmas and ethical difficulties of evil and adversity.
It may also have had something to do with her feelings for her best friend, Andrée Gallard.
The two girls had met at school when Sylvie was ten and struck up a slightly formal, but deep-felt friendship that made many of the grown-ups around them both wonder and worry. It was thought that they didn't have a good influence on each other, but for Sylvie, Andrée was all that mattered in the world. Her happiness, her larger than life spirit... These things became the axes of Sylvie's Earth.
Therefore, it was also a great sorrow for her to observe how Andrée's life would evolve into captivity and uncertainty as her mother expected her to follow in her footsteps and marry young, no matter whether she loved the man or not.
At age 15, Sylvie had admitted her feelings for Andrée, who was at the time grieving the loss of her first boyfriend who was leaving France, but the matter would never be touched upon again between them. Instead, as they entered university, Andrée began putting emotional, if not physical distance between them and found other friends, other interests. They were still close, but they both recognised that something had been lost that night in Andrée's family's country house kitchen.
At the same time, Sylvie introduced her friend, Pascal, to Andrée who was immediately attracted to him. Trying, once again, to support Andrée's quest for happiness, she encouraged the relationship and tried helping to convince Andrée's mother of their feelings. But Andrée's mother wanted an assurance of Pascal's intentions and insisted they got engaged, something he was not willing to do.
Miserable and heart-broken, Andrée prepared to be sent to England on an educational trip, but shortly before her leave, she became acutely ill and died. At her funeral, her casket had been smothered in white flowers of purity, the same attitude that had in the end killed her, so Sylvie left three red roses amidst all the white and would mourn the loss of her friend for the rest of her life.
PERSONALITY
Sylvie is very intelligent, at school she was the best in her class, continuously, although Andrée came a close second. She takes an interest in philosophy and is studying this at the Sorbonne. Although she was a firm believer as a child, she has since lost her faith and thinks of herself as a non-believer who ascribes more to logic and sound thinking than to doctrine and miracles. She's straight-forward, though polite, and says things as they are, never allowing anyone to hide too much behind their words. She is not afraid to ask the tough questions.
Although she knows everything about sex on a practical level, Sylvie is somewhat innocent and un-educated about the passion that people share which makes them sleep with each other. Beyond her infatuation with Andrée, she doesn't take any interest in others like that. Sex is more a matter of bodily release and satisfaction than human intimacy to her, though she no doubt longs for such a union with Andrée, too. Deep down. Deep down, but close enough to the surface that the two of them keep a certain distance in their interaction.
Observant, Sylvie has many thoughts on her contemporary society, from religious observance and control to the place of women in 1920's France, to family ties and relations, her own and those of others. She is saddened by the state of things and feels powerless to change much, if anything about it, settling with just trying to support her friends and claim her own space.
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Jun. 21st, 2022 06:32 pmCANON
canon: The Inseparables (Simone de Beauvoir)
canon point: Can play from any point in chapter 2, as well as post-book.
notes: If a canon mate should ever materialize, I'm more than willing to play fix-its and AUs. Cross-canon, I can modernize Sylvie into contemporary times, though as a rule I play her from her canon era, late 1920's.
PLAYER
contact: PM to this journal. Ask for plurk.
active times/pace: CEST/CET player. Tries to be online at least during the evening my time, but it varies. More one tag a day player than anything, but if you hit me up at the right time, I can still boomerang a bit.
brackets/prose: Definitely brackets preference, but will match. I default to present tense, but can also match other tenses.
offensive subjects/triggers: Not any.
IN CHARACTER
physical affection: Go for it. Reactions may vary depending on CR. Generally, she's not the most affectionate person.
physical violence: Would prefer not.
relationships: F/M or F/F with slight F/F pref, if that's where we end up. Outside memes that are specifically designed for it or if specified otherwise, I prefer not to assume any romantic CR unless relevant canon mates.
psychic info: Ask. She's a philosophy student, so there might be some unravelling to do.
magical info: No magical powers.
medical info: Nothing relevant. She's in good health.
offensive subjects/triggers: SPOILERS! Sylvie's story centers around her homo-romantic relationship with her best friend, Andrée, made difficult due to the circumstances of women at the time. Early stage feminism, sexism, religion and implied homophobia might show up in her narrative. Her life is also changed by the early death of Andrée and if loss and sudden illness are triggers for you, let me know and I'll take her from another, earlier canon point.
OUT OF CHARACTER
backtagging: Yes, please!
threadhopping: No.
fourthwalling: If it's to compare her to Simone de Beauvoir, go ahead, otherwise I'd prefer not.
not interested in: Smut, neither F/M or F/F.
canon: The Inseparables (Simone de Beauvoir)
canon point: Can play from any point in chapter 2, as well as post-book.
notes: If a canon mate should ever materialize, I'm more than willing to play fix-its and AUs. Cross-canon, I can modernize Sylvie into contemporary times, though as a rule I play her from her canon era, late 1920's.
PLAYER
contact: PM to this journal. Ask for plurk.
active times/pace: CEST/CET player. Tries to be online at least during the evening my time, but it varies. More one tag a day player than anything, but if you hit me up at the right time, I can still boomerang a bit.
brackets/prose: Definitely brackets preference, but will match. I default to present tense, but can also match other tenses.
offensive subjects/triggers: Not any.
IN CHARACTER
physical affection: Go for it. Reactions may vary depending on CR. Generally, she's not the most affectionate person.
physical violence: Would prefer not.
relationships: F/M or F/F with slight F/F pref, if that's where we end up. Outside memes that are specifically designed for it or if specified otherwise, I prefer not to assume any romantic CR unless relevant canon mates.
psychic info: Ask. She's a philosophy student, so there might be some unravelling to do.
magical info: No magical powers.
medical info: Nothing relevant. She's in good health.
offensive subjects/triggers: SPOILERS! Sylvie's story centers around her homo-romantic relationship with her best friend, Andrée, made difficult due to the circumstances of women at the time. Early stage feminism, sexism, religion and implied homophobia might show up in her narrative. Her life is also changed by the early death of Andrée and if loss and sudden illness are triggers for you, let me know and I'll take her from another, earlier canon point.
OUT OF CHARACTER
backtagging: Yes, please!
threadhopping: No.
fourthwalling: If it's to compare her to Simone de Beauvoir, go ahead, otherwise I'd prefer not.
not interested in: Smut, neither F/M or F/F.